PSYLENT SKULLS

Three skulls, mirror-symmetrical, their surfaces entirely dissolved into a mosaic of stained glass cells — no smooth bone, no bare structure, just ten thousand interlocking facets of color cycling through the full spectrum in a four-second loop. The outer skulls face inward toward the central figure, which stares forward, its hollow eye sockets packed with the same jeweled geometry as everything else. The color transitions are the whole event: deep crimson red shifting through magenta and green into electric cyan and back, the mosaic cells pulsing in waves that move from the center outward like a signal propagating through the composition. This is not a skull. This is what a skull becomes when color is the only material available — structure replaced entirely by light, form replaced entirely by frequency.